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Synopsis

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Emily thought she’d be the best dog mom. But a year and half into raising her anxious and reactive dog Freya, she’s feeling like a failure. On top of that, as a woman in her 30s, Emily knows her biological clock is ticking. But how can she even contemplate raising a human, when she’s struggling desperately with a dog?

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Characters

Dogs

Freya

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An Icelandic Sheepdog with big feelings. The sweetest girl, and very attached to her hoomans. But take her outside, into the scary world of unfamiliar things, and Freya’s gonna bark at all of it.

Humans

Emily

Stephen

 Emily is in her 30s, happily married, and she has her first child: the dog. But the expectations she had for her life with a dog aren’t matching up to the reality she’s living in, and now her world revolves around Freya. Meanwhile, she’s facing an onslaught of external pressure concerning whether she should have children. Even with a stable relationship, Emily is overwhelmed, confused, and constantly worried about making the wrong choice.

Kate

Emily’s longtime friend, who’s on a different parenthood journey than Emily. Their frequent hangouts always involve drinking tea.

Emily’s supportive husband, and the more optimistic partner. He absolutely adores their dog Freya. He wants kids, but is smart enough to know better than to pressure his wife. He loves his mom, but is not afraid to stand up to her, respectfully

Judy

Stephen’s mother, who is not a big fan of dogs, and is counting down the days until she becomes a grandmother. Even though she can be harsh, she does like Emily. But she loves her son the most, and expects the world for him.

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Why Now?

Even though we’re in an age where parenthood doesn’t exclusively refer to humans, we’re far from being free of people’s opinions about women. Emily’s plight will be relatable to many women in their 20s-40s still undecided about having children, facing external pressures from society’s expectations, and internal pressures from their own bodies forcing a timeline upon them. 

All the while, Emily is in fact raising a child–her dog. Dog Mom aims to explore what it means to be a pet parent, and ways that might be similar to traditional parenthood. Hopefully, the film is cathartic to parents struggling with reactive pets, and eye-opening for those who have yet to glimpse into this world. 

Why Us?

Dog Mom is drawn from, and inspired by, Rachel’s personal experiences. Every dog has their own personality, and this film aims to showcase Freya’s. Rachel found the best possible team in Alexandra and Nick, co-founders of 2Atoms, who have both raised reactive dogs as well. This is a group who cares deeply about their pets, but are ready to be honest about how difficult it can be to raise them, in the hopes that others in the same position won’t feel so alone. 

Demographics

Adults between 20-45, primarily women. This film is for anyone raising a reactive dog, anyone questioning what family looks like, and any woman who has ever been asked how old she is, told motherhood is the only right path forward, or felt extraordinary pressure from her own biological clock. 

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Moodboard

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WORLD

This film is grounded in reality, full of the essence of life, including humans and animals, and set both in a house with plants, as well as outdoors in the summertime.  The living world brings to mind the idea of renewal, which is also touched upon with the cycle of life storylines we see as Emily and Kate both navigate what motherhood means to them.

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TONE

While the film’s themes all carry weight, there is a strong throughline of love, found in all the different relationship dynamics. The film is emotionally grounded, but it’s not meant to be dark at all times, so it’ll be a balancing act to find ways to tip the scale into light.

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THEMES
  • Raising a Reactive Dog

  • Traditional Parenthood vs Pet Parenthood

  • Failure/Never Feeling Enough

  • Motherhood as a Choice

  • Nature vs Nurture

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COLOURS

Freya’s colouring has influenced the way we envisaged the world of the film. The colours of her golden fur, tinged with red, can be used to call back to mind Freya in the moments where Emily feels most overwhelmed by her. Though Freya also has black colouring, we may lean more towards shades of blue to bring out some contrast in colour. 

COMPARABLE FILMS

Marley and Me

Turner and Hooch (From a reactive dog standpoint) 

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The Team

BAGEL BABES
PRODUCTIONS
2ATOMS

The Producers

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Bagel Babes Productions came to fruition in 2022, when Rachel Salsberg wrote and produced Movie Night, with Hannah Melissa Scott as co-producer, and Alexandra Augustine as director. The team collaborated again later that very year on Missing Max, for the 48 Hour Film Project. After a few years working on separate projects, Rachel and Alexandra are thrilled to be breathing new life into Bagel Babes Productions, with Dog Mom. 

The Writer

RACHEL 
SALSBERG
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2Atoms Productions is a Canadian multimedia production company dedicated to bold storytelling and authentic performance. Founded by Alexandra Augustine and Nick Hunter, 2Atoms curates original works—from skits and shorts to feature scripts and filmed content—while placing actor development at the heart of its creative process. With a dedication to creating safe working environments and invoking change in the industry, 2Atoms seeks to provoke a nuclear reaction in the arts by fostering raw, resonant performances and pushing the boundaries of creative expression across multiple mediums.

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Rachel Salsberg is a Toronto-based actress, writer, and producer. “Movie Night,” the first short film she wrote, produced, and acted in, premiered at the Toronto Short Film Festival in 2023, and won two Awards of Merit from the Best Shorts Competition. “As We Fall Silent,” the second short film she wrote and produced, won Best Screenplay at Glowflare Short Festival in 2025. In the last four years she has consistently booked commercials, and she continues to train regularly at LB Acting Studio to hone her craft. Rachel loves dancing, practices yoga daily, and of course, is proud of her job as a dog mom.

Writer's Statement

When I set out to write my next script, this isn’t the story I had in mind. I was catching Alexandra up on the latest with Freya, when she suggested there was a story there. She was right, and within a week I had my tenth draft of Dog Mom written. 

While the script isn’t autobiographical, it is very much inspired by some of the things that are weighing most heavily on me right now. 

Like Emily, I wanted to be the best dog mom. Unlike Emily, I was feeling pretty good raising our first dog, Nugget. And then we got Freya. I was forced to recalibrate my beliefs on nature vs nurture, and for the first time, I started questioning if I could handle having kids, and if I even wanted them anymore. 

While Emily has all of this internal conflict going on, she’s also being confronted by external noise. This specific noise can manifest in many ways for a childless woman. For example, recently someone I barely know asked me how old I am, if there were any babies on the way, and then implied I better get started soon. 

 

With so much ground to cover in such a short medium, I wanted to touch upon all these topics, and turn it to the audience to maybe recalibrate some of their own beliefs.

I hope that after seeing Dog Mom, the next time my audience glimpses a parent struggling with a seemingly misbehaving dog, or child, in public, they choose empathy, and consider how much work might be being put in behind the scenes

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